The Mystery of Stretching Revealed

To paraphrase the great dance kinesiologist Sally Fitt, of all the principles of conditioning, the most frequently overlooked is effective sequencing. Five teaching principles:
1. start gradually- warm-up first
2. After fatiguing a muscle group, take time to recover and loosen (the primary problem w most gym programs)
3. before stretching a major muscle group, ‘set up’ by doing a maximal contraction in the opposing muscle group if it’s equal mass
4.consider joint actions
5. listen to the body
Continue reading

March 2013 Yoga Update

yoga

The Rod Stryker Prana Shakti Master Training course at the end of February 2013 was phenomenal! The test for the course, The Path of Fire and Light by Swami Rama was concise and informative. Continue reading

Why Teach Ballet

I moved to Mpls to leave ballet behind once and for all, preferring the gutsy modern work I’d been exposed to in college and Repertory Dance Theatre. By then I’d danced plenty of ballet, musical theatre, and modern and wanted to experience Continue reading

Why Study Dance

Why study Dance?

IMG_1096

Dance engages the mind, body and spirit and provides opportunities for the development of physical, expressive, “critical, imaginative, appreciative and perceptive abilities” (Bannon & Sanderson 2000). Students develop Continue reading

Constructing a Proper (Floating) Dance Floor

contributed by my colleague Barbara Devereau

newDanceFloor02For anyone out there who does not know and wishes to lay a proper dance floor this is how you do it Continue reading

Sound Business Practices – Arts Organizations Aren’t Exempt!!

IMG_1027Sound Business Practices

Category Responsibilities:
training – school responsibility
funding – company responsibility only
safety – company & school responsibility
accessibility – company & school responsibility

Humor and Openness

yoga at sunssets“Learning how to be kind to ourselves is important. When we look into our own hearts and begin to discover what is bitter and what is sweet, Continue reading

The Grand Plie

I almost never give grand pile at the barre other than in 2nd until I’ve been working with young dancers for at least a few years Continue reading