The Dance Competition Trap

I’m often asked my opinion of dance competitions in my art form and although I’m not a big fan, I understand that many business owners are compelled financially to offer these events. I would however encourage educating the parents with newsletters and a great website with the pros and cons of these expensive and often shallow experiences.  But beyond that, sometimes offering kids exposure to this side of the business and additional performing opportunities is a good thing. However, the quote below should be considered in creating well-rounded, strong dancers:

“Competitions reward an aesthetic that’s sassy, in-your-face, show-offy. But dance is about sharing, not showing off. Students who have done well in competitions fall into the trap of thinking their technique is perfect, when there are many aspects of being an artist that they need to discover. They’ve been taught that when they win, they are at a peak. They haven’t yet seen that learning is life-long.” Susan Shields

Why Teach Ballet

I moved to Mpls to leave ballet behind once and for all, preferring the gutsy modern work I’d been exposed to in college and Repertory Dance Theatre. By then I’d danced plenty of ballet, musical theatre, and modern and wanted to experience Continue reading

Why Study Dance

Why study Dance?

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Dance engages the mind, body and spirit and provides opportunities for the development of physical, expressive, “critical, imaginative, appreciative and perceptive abilities” (Bannon & Sanderson 2000). Students develop Continue reading

Sound Business Practices – Arts Organizations Aren’t Exempt!!

IMG_1027Sound Business Practices

Category Responsibilities:
training – school responsibility
funding – company responsibility only
safety – company & school responsibility
accessibility – company & school responsibility

The Grand Plie

I almost never give grand pile at the barre other than in 2nd until I’ve been working with young dancers for at least a few years Continue reading

Teaching Pirouettes

All City Opera's production of Cinderella
All City Opera’s production of Cinderella

I teach a lot of pirouettes from 5th position because, as my theory goes (and you’re welcome to weigh in), a pirouette is a balance that turns. Therefore, you must find that balance over the supporting leg first. At an advanced level, Continue reading

New Mind – Leaving Behind the Canned Syllabus

Dancer 1 JPegWe must now think with New Mind. When I realized my advanced dancers had rotten cardio, Continue reading